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All the servants have received orders to go to bed, and on no account to sit up for Mr. Rodney, as he can let himself in in his own way,—a habit of his for many years. Doubtless, then, one of them had placed this lamp in the library with some refreshments for him, should he require them. Mona is happier than words can say. She is up to her eyes in the business, that business sweetest to a woman's soul, the ordering and directing and general management of a trousseau. In her case she is doubly blessed, because she has the supervizing of two! Then, after a pause, "Where will they bury me?" he asks, suddenly. "Do you think they will put me in the family vault?" He seems to feel some anxiety on this point..
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Conrad
"Yes, you, and every other man," says Mona, smiling, and raising her loving eyes to her husband. Mona is enchanted with the many varieties she sees that are unknown to her, and, being very much not of the world, is not ashamed to express her delight. Looking carefully through all, she yet notices that a tiny one, dear to her, because common to her sweet Killarney, is not among his collection. "I have indeed misunderstood you in many ways." This is unkind, and the emphasis makes it even more so. "Norah, if the butter is finished, you can go and feed the calves." There is a business-like air about her whole manner eminently disheartening to a lover out of court. Paul Rodney, standing where she has left him, watches her retreating figure until it is quite out of sight, and the last gleam of the crimson silk handkerchief is lost in the distance, with a curious expression upon his face. It is an odd mixture of envy, hatred, and admiration. If there is a man on earth he hates with cordial hatred, it is Geoffrey Rodney who at no time has taken the trouble to be even outwardly civil to him. And to think this peerless creature is his wife! For thus he designates Mona,—the Australian being a man who would be almost sure to call the woman he admired a "peerless creature.".
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